Erik Gunnar Asplund 
 (1885-1940)
            
                
                    
                    Asplund Library 1927-35
Photo Yngve Andersson
                
                This website is a contribution to maybe the most important swedish architect of the 20th century,
                Erik Gunnar Asplund, born 1885, as well as to his tremendous "opus magnum",
                Stockholm's City library.
            
                
                    
                    Crayon studies of
interior 2/5 1922-23,
E.G.Asplund
                
                Our thesis, according to what we found in several works of Asplund is, that he uses strict geometrical
                systems to add various platonic solids by an easy symmetric composition scheme.
                What is remarkable, Asplund combines them with other shapes and geometries like parabolic
                and hyperbolic solid geometries, as to be seen in his project for the Scandia
                Cinema (1922-23); but as we found out, his seemingly determined and well composed arrangements
                are not fixed and over-determined: they are very often thought to be only a starting point
                for further development; they inherit a certain code, founding basic ‘game-rules’ for mostly
                just thought and planned, but never built stages of an eternal building process.
            
                
                    
                    Stockholm Exhibition, 1930,
verandah of restaurant "paradise"
photo: Rosenberg
                
                Asplund’s buildings, as well-proposed as they seem to be, and as finally arranged they appear,
                are always containing various spatial situations that can only be read as references
                to a status beyond.
            
                
                    
                    Stockholm Exhibition,
 1930, festival ground,
 photo: Yerbury
                
                The genius of Asplunds architecture is not only its symmetric compositions and its well
                proportioned spaces- it’s in his plans, that show that he allows them to grow by only
                giving them a kind of basic order; that’s the classical organicism of Asplund’s architecture;
                his buildings are- by their origin – allowed and claimed, thought to grow!
            
                
                    
                    Stockholm City Library,
 1920-28, Lending department,
 photo: Rosenberg
                
                
                    
                    Masterplan for the Site,
 E.G.Asplund
                
            
                
                
                    
                    actual view from
 the exterior
                
                That demonstrates Asplund’s and his son’s hope for a vertical extension. As it became
                clearly visible that there would be obviously no chance for a vertical growing, they
                finished building the other extensions, getting closer and closer to the original building.
                Their continuous dream of a ‘high rise of knowledge’ was dreamt for nothing and without
                being heard.
            
                
                    
                    New Stockholm Public Library,
 concept sketch, anonymous
                
                
                    
                    New Stockholm Public Library,
 cross section, anonymous
click for more
                
            
                
                
                    
                    panoramic view on the new extended
 Stockholm Public Library, anonymous
                
                We found this pictures lately on an architectural website and were very much reminded
                on some sketches Asplund did himself and that we saw during our ‘archival excavations’…
                CRAZY - Public - Library - THING! We think that this pictures are structurally (especially regarding
                the blueprints) very close to what Asplund possibly could have done if he would have been
                allowed to make a skyscraper out of his ‘biblioteken’…but will it be the FIRST PRIZE?
            
*** All Pictures except anonymous design plans taken from: Gunnar Asplund Architect 1885-1940, ed. Gustav Holmdahl and others, Stockholm, 1950 ***